"El Despertar del Mundo" Nº54, November 30, 1959
 
El Despertar del Mundo(The World Awakes)Nš54, November 30,
 
"El Despertar del Mundo"("The World Awakes")Nº54, November 30, 1959. Published by Editora de Periódicos "La Prensa", of Mexico, after the hiatus caused by the comic crisis of 1955, it carried stuff from Atlas (later Marvel Comics), with a definite bent towards sci-fi. The scripts, however, subjected to the censorship imposed by the Comics Code, were considerably watered-down, almost naive, and the art was barely acceptable, in those days of underpaid, unsure jobs in the field.
That was the general rule for the comics of that hard period, both in USA and the Latin countries, but the tenacious reader could sometimes be rewarded with unexpected little jewels, as is the case of this particular issue, which, in addition to contributions by Bob Forgione (a dependable artisan), "¡Alguien Espera!" (or "Someone is Waiting!"), John Forte (a hard worker, but well under the quality of the mature professionals of yore), "¡Los Hombres Azules!"("The Blue men!") and Paul Reinman (of dubious competence, but a regular of those times), "Vinieron por la Noche"("They Came at Night"), carried an (unsigned) small masterpiece by Bob Powell (in disgrace by then, his favorite field, horror, having been banned by the infamous Code), "Donde Habitan los Dinosaurios" ("Where Dinosars Dwell") and a brief opus by Joe Orlando (of E.C. fame), "La Ciudad Encantada"("The Enchanted Village"). There was also another story, "Mundo Equivocado"("Wrong World"), by unidentified artist, a black-and-white mystery filler (probably not in the original magazine) and two pages of text. But the stories were all 4-pagers, the dialogue poor, the plots uninspired. From that despicable clay, however, a genius named Stan Lee would eventually operate a rebirth of the comic book -which for many, including yours truly, seemed a doomed medium by then- and build the millionaire Marvel empire. That's the reason why I decided to add this book to the gallery, despite the bad shape of the cover, which I was forced to "clean up" (there was a sticker, some handwriting and a big rubber stamp to get rid of) with far from perfect results...
With thanks to  Carlos M. Federici for the scan and text.
 
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