A poem begins with a lump in the throat.
Robert Frost
To better prepare the future, we need to know and make
peace with the past. Who can better tell us of the past than those for
whom it was the present ? Here is some of the poetry written during
the time of slavery by some known, and other lesser known, poets.
Al Young
The Slave Ship Desire
Human cargo's what we're talking here;
a boat piled high, groaning, in fact, beneath
the strain of expectation factored in.
On board stuff hogged up space, turned soon-to-be.
Straight ahead and bright, the salt-sweet taste
of sweat and sacrifice, you couldn't spit it out.
Like opium, gold and rum, like land enough to grow
bigger eyes than food gone belly up; the money's there.
Like sugar or tobacco, crack cash crops then as now,
like coal, September wheat, October cocoa,
like unslit porkbellies, like Jesus crossed with sex and shoot-em-ups,
like Anglo Franco Banco American futures.
Desire the boat; the streetcar's still to come.
Where human beings want, crossroads get jammed, get all tied up.
Who blocks the escape routes gets locked in, too.
NO EXIT signs shine just fine in the dark, and anger glows.
Picture a boat that crowds you, over-sized,
a load of woe there is no way around --
a slave ship named Desire.
Copyright © Al Young
Ivy Claudette Armstrong
Voices Of The Slaves
I am the slave ship Henrietta Marie
I transported cargoes of human misery
From Africa to regions of the Caribbean.
More terrifying a slaver had seldom been seen.
They dug me from my grave in the depth of the seas
Where I have lain in silence for nigh three centuries.
Resurrected to mortal eye, many a story to tell,
Listen to my gory tales for I tell them well.
Loaded with baubles and beads, I left the British dock,
In Africa these I exchanged for human stock.
My hull was crammed, jammed with men, women, children
Manacled shackled, never to see their homeland again.
It was breathing room only, but fresh air I denied,
Writhing in vomitus and excrement millions died,
The sturdy and strong struggled, while I plowed the waves
Destined for the Americas and the best price for slaves.
For three years I Henrietta reigned Queen of the seas,
Then in 1700 I sank off Florida's keys,
Sank with my symbols of torture, sank to trade no more,
Today, I The Grim Truth rise from the ocean floor.
Still if you'll but listen, the wailing of the slain
Comes from within my hull re-echoing the pain,
Rising, falling on the wind, like the crash of waves,
Voices of nobility, voices of the slaves.
Copyright © Ivy Claudette Armstrong
Robert W. Service
The Song Of The Wage-Slave
When the long, long day is over, and the Big Boss gives
me my pay,
I hope that it won't be hell-fire, as some of the parsons say.
And I hope that it won't be heaven, with some of the parsons I've met
--
All I want is just quiet, just to rest and forget.
Look at my face, toil-furrowed; look at my calloused hands;
Master, I've done Thy bidding, wrought in Thy many lands --
Wrought for the little masters, big-bellied they be, and rich;
I've done their desire for a daily hire, and I die like a dog in a ditch.
I have used the strength Thou hast given, Thou knowest I did not shirk;
Threescore years of labor -- Thine be the long day's work.
And now, Big Master, I'm broken and bent and twisted and scarred,
But I've held my job, and Thou knowest, and Thou wilt not judge me hard.
Thou knowest my sins are many, and often I've played the fool --
Whiskey and cards and women, they made me the devil's tool.
I was just like a child with money; I flung it away with a curse,
Feasting a fawning parasite, or glutting a harlot's purse;
Then back to the woods repentant, back to the mill or the mine,
I, the worker of workers, everything in my line.
Everything hard but headwork (I'd no more brains than a kid),
A brute with brute strength to labor, doing as I was bid;
Living in camps with men-folk, a lonely and loveless life;
Never knew kiss of sweetheart, never caress of wife.
A brute with brute strength to labor, and they were so far above --
Yet I'd gladly have gone to the gallows for one little look of Love.
I, with the strength of two men, savage and shy and wild --
Well, 'tis Thy world, and Thou knowest. I blaspheme and my ways be rude;
But I've lived my life as I found it, and I've done my best to be good;
I, the primitive toiler, half naked and grimed to the eyes,
Sweating it deep in their ditches, swining it stark in their styes;
Hurling down forests before me, spanning tumultuous streams;
Down in the ditch building o'er me palaces fairer than dreams;
Boring the rock to the ore-bed, driving the road through the fen,
Resolute, dumb, uncomplaining, a man in a world of men.
Master, I've filled my contract, wrought in Thy many lands;
Not by my sins wilt Thou judge me, but by the work of my hands.
Master, I've done Thy bidding, and the light is low in the west,
And the long, long shift is over. . .Master, I've earned it -- Rest.
Copyright © Robert W. Service
George Moses Horton (1797?-ca. 1880)
The Slave's Complaint
Am I sadly cast aside,
On misfortune's rugged tide?
Will the world my pains deride
Forever?
Must I dwell in Slavery's night,
And all pleasure take its flight,
Far beyond my feeble sight,
Forever?
Worst of all, must Hope grow dim,
And withhold her cheering beam?
Rather let me sleep and dream
Forever!
Something still my heart surveys,
Groping through this dreary maze;
Is it Hope? -- then burn and blaze
Forever!
Leave me not a wretch confined,
Altogether lame and blind --
Unto gross despair consigned,
Forever!
Heaven! in whom can I confide?
Canst thou not for all provide?
Condescend to be my guide
Forever:
And when this transient life shall end,
Oh, may some kind eternal friend
Bid me from servitude ascend,
Forever!
Copyright © George Moses Horton
Rita Dove
The House Slave
The first horn lifts its arm over the dew-lit grass
and in the slave quarters there is a rustling-
children are bundled into aprons, cornbread
and water gourds grabbed, a salt pork breakfast taken.
I watch them driven into the vague before-dawn
while their mistress sleeps like an ivory toothpick
and Massa dreams of asses, rum and slave-funk.
I cannot fall asleep again. At the second horn,
the whip curls across the backs of the laggards-
sometimes my sister's voice, unmistaken, among them.
"Oh! pray," she cries. "Oh! pray!" Those days
I lie on my cot, shivering in the early heat,
and as the fields unfold to whiteness,
and they spill like bees among the fat flowers,
I weep. It is not yet daylight.
Copyright ©
Closer to us, the poets of the Harlem Renaissance,
most of whom were descendants of slaves, give rhyme and rhythm to their
plight and hopes.
Langston
Hughes (1902-1967)
Cross
My old man's a white old man
And my old mother's black.
If ever I cursed my white old man
I take my curses back.
If ever I cursed my black old mother
And wished she were in hell,
I'm sorry for that evil wish
And now I wish her well
My old man died in a fine big house.
My ma died in a shack.
I wonder were I'm going to die,
Being neither white nor black?
Copyright © Langston Hughes
Arna
Bontemps (1902-1973)
God Give to Men
God give the yellow man
an easy breeze at blossom time.
Grant his eager, slanting eyes to cover
every land and dream
of afterwhile.
Give blue-eyed men their swivel chairs
to whirl in tall buildings.
Allow them many ships at sea,
and on land, soldiers
and policemen.
For black man, God,
no need to bother more
but only fill afresh his meed
of laughter,
his cup of tears.
God suffer little men
the taste of soul's desire.
Copyright © Arna Bontemps
Countee
Cullen (1903-1946)
Heritage
For Harold Jackman
What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.
Africa? A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything? The tree
Budding yearly must forget
How its past arose or set--
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?
So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.
Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of Humility;
Heathen gods are naught to me.
Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.
All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood,
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest fax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
Copyright © Coutee Cullen
James
Weldon Johnson (1871-1938)
Fifty Years, 1863-1913
On the Fiftieth Anniversary
of the Signing
of the Emancipation Proclamation
O brothers mine, today we stand
Where half a century sweeps our ken,
Since God, through Lincoln's ready hand,
Struck off our bonds and made us men.
Just fifty years--a winter's day--
As runs the history of a race;
Yet, as we look back o'er the way,
How distant seems our starting place!
Look farther back! Three centuries!
To where a naked, shivering score,
Snatched from their haunts across the seas,
Stood, wild-eyed, on Virginia's shore
For never let the thought arise
That we are here on sufferance bare;
Outcasts, asylumed 'neath these skies,
And aliens without part or share.
This land is ours by right of birth,
This land is ours by right of toil;
We helped to turn its virgin earth,
Our sweat is in its fruitful soil.
Where once the tangled forest stood--
Where flourished once rank weed and thorn--
Behold the path-traced, peaceful wood,
The cotton white, the yellow corn.
To gain these fruits that have been earned
To hold these fields that have been won
Our arms have strained, our backs have burned,
Bent bare beneath a ruthless sun.
That Banner which is now the type
Of victory on field and flood--
Remember, its first crimson stripe
Was dyed by Attucks' willing blood.
And never yet has come the cry--
When that fair fiag has been assailed--
For men to do, for men to die
That we have faltered or have failed.
We've helped to bear it, rent and torn,
Through many a hot-breath'd battle breeze
Held in our hands, it has been borne
And planted far across the seas.
And never yet--O haughty Land,
Let us, at least, for this be praised--
Has one black, treason-guided hand
Ever against that flag been raised.
Then should we speak but servile words,
Or shall we hang our heads in shame?
Stand back of new-come foreign hordes,
And fear our heritage to claim?
No! stand erect and without fear,
And for our foes let this suffice--
We've bought a rightful sonship here,
And we have more than paid the price.
And yet, my brothers, well I know
The tethered feet, the pinioned wings,
The spirit bowed beneath the blow,
The heart grown faint from wounds and stings;
The staggering force of brutish might,
That strikes and leaves us stunned and dazed;
The long, vain waiting through the night
To hear some voice for justice raised.
Full well I know the hour when hope
Sinks dead, and round us everywhere
Hangs stifling darkness, and we grope
With hands uplifted in despair.
Courage! Look out, beyond, and see
The far horizon's beckoning span!
Faith in your God-known destiny!
We are a part of some great plan.
Because the tongues of Garrison
And Phillips now are cold in death,
Think you their work can be undone?
Or quenched the fires lit by their breath?
Think you that John Brown's spirit stops?
That Lovejoy was but idly slain?
Or do you think those precious drops
From Lincoln's heart were shed in vain?
That for which millions prayed and sighed,
That for which tens of thousands fought,
For which so many freely died,
God cannot let it come to naught.
Copyright © James Weldon Johnson