*The
percentages in column 1 are from Hanna
et al. 1966. Some spelling frequencies may be over-stated due to
the
particular methodology
employed. The percentages in column 1 reflect dictionary frequencies
not document frequency
The
chart illustrates 18 of the 36 different ways
that the /ei/ sound is spelled in the dictionary.
Cut Spelling
reduces the number from 18 to 10: [ a, a-e, ai, ay, ei, e, ey, et, ete,
ait ]. Although still highly irregular, CS does improve regularity by 50%.
Systematic notational systems such as RES
, OGD, and Spanglish
reduce the number of spellings to 2. Phonemic systems such as WES,
New Spelling, Chekt Speling, and New Follick reduce the number of different
ways to spell a sound to 1. See Dewey,
1971, for a complete list of the different possible TO spellings for every
sound.
Systematic spelling solutions such
as RES
can have up to four ways to spell a particular sound. In the case
of /ei/ there are only 2 [ai & ay]. /ei/ RES
haylo, baik, pay, prais, ait, rain, cafay, vails, ... Spanglish
[ei, ey, e'] heilo, baik, pey, prey, preiz, eit, rein, cafey/cafe',
veils.
RES does away with a number of TO spelling
conventions that are not consistently applied such as double consonants
after short (checked) vowels
and the "magic" or silent e sometimes said to mark a long vowel
sound. By universalizing two spelling patterns ai and ay,
it will correctly spell only about 16% of the words in English. It
is slightly better than this because RES also approves of [a] for
the spelling of the unstressed [aa] or schwa sound as in "a
book".
RHYMING DICTIONARY
http://www.link.cs.cmu.edu/dougb/rhyme-doc.html
Rhymes of WAY:
halo, ace, pail, day, praise, eight, cafe, veil, break, rey, they
1 syllable:
a, a., ae, ay, bay, baye, bayh, bey, blay, bley, brae, bray, brey, c'est,
ca, cache, carre, cay, che, clay, cluj,
cray, da, dae, dak, day, daye, de, dey, dray, drey, ek, fay, faye, fe,
fey, flay, fray, frey, ga, galle, gay, gaye, gray, graye,
grey, guay, gway, ha, haigh, hay, haye, hey, hwe, j, j., jae, jay, jaye,
k, k., kay, kaye, khe, klay, kley, kray, krey, lait,
lay, laye, lei, ley, leyh, mae, may, maye, mei, mey, nay, ne, nej, ney,
ole, pay, paye, pei, play, pray, prey, quai, quay,
quaye, rae, ray, raye, re, reay, rey, say, saye, schey, schley, seay, shay,
shea, slay, sleigh, smay, snay, spey, spray, sta,
stay, stray, strey, sway, sze, tae, tay, they, torme, tray, trey, vey,
waye, wei, weigh, wey, whey, wray, wy, yay, yea
2
syllables: abbe, aday, aggrey, aigner, aka, allais,
allay, alms tray, and they, anway, array, asay, ash gray, ash grey,
astray, at bay, away, b'nai, b-j, ballet, banpais, beauvais, bernay, betray,
blue jay, bombay, boulais, boulay, bouquet,
bouygues, bua, buffet, buga, bull bay, cafe, calais, callais, calvey, cathay,
ceta, chalet, cheese tray, child's play, ciskei,
cliche, coday, convey, crochet, croquet, d'orsay, decay, defray, dekay,
delay, delray, devey, dismay, display, dk, dog
sleigh, donais, dorais, dossier, dovey, draw play, dumais, dupay, each
day, essay, faberge, fast day, feast day, fete day,
field day, filet, fillet, fine spray, flag day, foia, foul play, francais,
gerais, gervais, good day, gray jay, green bay, hair
spray, halfway, hefei, hervey, hevey, hold sway, hongwei, hooray, hurray,
ilhae, imlay, ira, ita, jaquay, jose, jouret,
kamei, langlais, last day, leap day, levey, lord's day, lurvey, mackay,
macknay, maclay, macrae, maltais, manet, marais,
marquai, match play, may day, mcbay, mccay, mcclay, mccrae, mccray, mccrea,
mcgray, mckay, mclay, mcnay,
mcquay, mcrae, mcray, mcshea, mcstay, mcvay, mcveigh, mcvey, milk whey,
millay, mobay, monet, morais, moray,
moutray, mulvey, name day, nihei, nikkei, nisei, nissei, noaa, o'dea, o'shea,
o. k., obey, oj, ok, okay, olay, orsay, palais,
parquet, passe, per-se, pevey, porcher, portray, prepay, puree, purvey,
rag day, red bay, red clay, rene, renee, repay,
replay, resnais, rest day, risque, rose bay, saint's day, saute, school
day, se, sea spray, sergei, servais, sevey, shinsei,
sick pay, sinay, sochet, soiree, sorbet, souffle, speech day, squeeze play,
steel gray, strike pay, stroke play, stupay,
survey, swamp bay, sweet bay, tea tray, today, toray, toupee, to say, trap
play, turvey, twelfth day, uva, vadnais, valet,
voisey, waga, wah-pei, word play, work day, x ray, zalay, zepa
Rhymes of EYE: eye,
ai, alai, dai, bonsai, high, hai, wise, guy, by, bye, rye, buy,
fly, hi-fi, keye, my, mei, phi, pie, tie, tye
1 syllable: ai,
ay, aye, bae, bi, bligh, bly, blye, brye, buy, by, bye, cai, chae, chai,
chi, cry, crye, cy, dai, di, die, dry,
drye, dye, fae, fi, fly, flye, frei, fry, frye, fye, gae, guy, gyi, heye,
hi, high, hy, i, i., jai, kai, keye, kwai, kyi, lai, lie, lxi, ly,
lye, mai, mei, my, ngai, nie, nigh, nye, pae, phi, phy, pi, pie, ply, pri,
pry, psi, pty, pye, rye, sai, sci, shai, shy, sigh, sky,
sligh, sly, slye, spry, spy, sri, sty, sy, tae, tai, thai, thigh, thy,
tie, tri, try, tsai, ty, tye, vi, vie, vy, wai, why, wry, wrye, wy,
wye, y, y., yie
2
syllables: akai, alai, ally, altai, and i, apply,
awry, bad guy, bandai, barkai, bee fly, belie, bely, black fly, black tai,
black
tie, blow fly, blue sky, bone dry, bonsai, bow tie, brunei, but i, bye-bye,
chiengmai, chubais, chugai, comply,
decry, defy, deny, dongmei, dubai, dupuy, good-bye, hi-fi, imai, imply,
iwai, kanai, kansai, lac dye,
rely, reply, retry, shanghai, sundai, supply, versailles, xuemei,
zhuhai
The basic differences
between five orthographies are shown below:
Along
keim a spaider and saet daun bisaid her
|
/ei/ way,
weight, wait, pale, rey, rae, ole, paye
|
/ai:/ I fly,
flight, wise, guy, hai, high, rye, pie
|
|
OGD / RES
|
NuFolik/Saxon
|
Unigraf
|
OGD | RES
|
NuFokik/Saxon
|
Unigraf
|
|
pay day, vail, frait
|
pei dei, veil
freit beri:
|
pA, dA, vAl,
|
I fly ftyt, wys gy,
py
|
ai flai, waiz, gai,
hai, pai
|
I flI wIz gI hI
|
|
pay day, vail, frait
|
pey dey, veil
freit bery
|
frAt, berI, rA
|
I fly ftyt, wys gy,
py
|
ai flai, waiz, gai,
hai pai
|
hI, rI, pI
|
So how many ways can you spell today? toda, today, todae,
todai, ..... See the other table
for the number of ways to spell /tu:/. A conservative number would
be 18x18 (the number of ways shown above and in another similar table for
/u:/). A more accurate number would be 29x36 reflecting the number
of ways the sound is spelled in an abridged dictionary. RES would
spell it two ways,
tooday or tuday. The second choice
would be more correct since the [u] signifies the end of a syllable as
in tuber. rather than a free vowel before a consonant as in tool.
Note the [e] has nothing to do with lengthening the sound of the u as it
does in the word tube. But there is some ambiguity as in tu-by, tub-y
[toobi, tubby].
spelling
links Ways
to spell /u:/ - to vowel in guru
Ways
to spell /i:/ - the vowel in eel Ways
to spell /e/
To spell phonetically (fonetikli)
you need to spell a vowel one of the top four ways and spell a consonant
one of the top two ways to avoid missing an answer. As shown here,
the vowel sound in GURU would have to be spelled U, OO, UE, or U...E.
As shown above the vowel sound in DAY would have to
be spelled A, A-E, AI, AY, or EI. He
ayt ayt grayt playtz of pahstuh. Hi eit eit greit pleitz ov grey
pasta. Hee ate ate grate plates ov grae paasta.
Parthenon would have to have
a spelling for each sound in the word, "Parthe" wouldn't count as a correct
answer. parthanan would be close enough to have only a half point knocked
off.
In Unigraf
Parthenon
would be spelled pqrT@nqn. In IPA
it would be spelled pa:rq'na:n
These consistent alphabetic notations
have one and only one grapheme (symbol) for each phoneme (speech sound).
In Spanglish endorses two spellings
(no change) parth'enon
Parachute could be spelled parashoot
(half point deduction). par@SUt
(Uni), paer'Su:t
(IPA)
Mark Twain on English spelling
and alphabet reform:
"There
is but one way to scientifically and adequately reform the [traditional
English] orthography, and that is by reforming the alphabet;
then the orthography will reform itself. What is needed is that each
letter of the alphabet shall have a perfectly definite sound, and that
this sound shall never be changed or modified without the addition of an
accent, or other visible sign, to indicate precisely and exactly the nature
of the modification."
"The
Germans have this kind of alphabet. Every letter of it has a perfectly
definite sound, and when that sound is modified an umlaut or other sign
is added to indicate the precise shade of the modification.
The several values of the German letters can be learned by the ordinary
child in a few days, and after that, for 90 years, the child can
always correctly spell any German word it hears, without ever having been
taught to do it by another person, or be obliged to apply to a spelling
book for help."
"But
the English alphabet is a pure insanity. In it can hardly spell any
word in the language with any large degree of certainty. When you
see the word chauldron in an English book no foreigner can guess how to
pronounce it; neither can any native. The reader knows that is pronounce
chauldron -- or kaldron, or kawldron -- but neither he nor his grandmother
can tell which is the right way without looking in the dictionary; and
when he looks in the dictionary the chances are hundred to one that the
dictionary itself doesn't know which is the right way but will furnish
them all three and let him take his choice."
"When
you find the word bow in English book standing by itself and without any
informing text built around it, there is no American or Englishman alive,
nor any dictionary, that can tell you how to pronounce that word.
It may mean a gesture of salutation and rhyme with cow; and it may mean
an obsolete military weapon and rhyme with blow. But let us not enlarge
upon this. The sillinesses of the English alphabet are quite beyond
enumeration. That alphabet consists of nothing whatever except sillinesses.
I venture to repeat that whereas the English orthography needs reforming
and simplifying, the English alphabet needs it two or three million times
more."
Twain preferred a phonemic
solution to the alphabet problem. This can be done by extending
the alphabet (i.e., adding new characters) or by using two letter sound
signs. One way to extend the alphabet is to use the upper case letters
for new sounds, e.g., T for the TH in thin, A for the AY in play.
(see Unigraf).
English has adopted a digraphic solution but the tradtional system lacks
consistency. Sound spell uses existing English spelling patterns
consistently. Here are some stories that have been converted to sound
spell.
Books in Sound Spell
ALC's 'Soundspel' alphabet is shown below.
Children, adults, and foreign pupils who learn this one-page system will
be able to write-- "as it sounds"-anything they can say in English. The
inherent phonetic principle is the well-established one normally followed
by languages that use an alphabet.
It is for English, an equivalent of
the phonetic spelling used daily by all who write in Spanish, German, Hungarian,
Swedish, Finnish, Italian, Turkish, Portuguese, Hebrew, Serbo-Croatian,
Swahili, Dutch, Korean, Hindu and scores of other languages. Today we have
the expertise, the system, and the great social and economic need for an
orthography that frees us from the ordeal of memorizing thousands of spelling
irregularities. (check it out)
1. The Wonderful
Wizard of Oz, Frank Baum, HTMLSoundspel
Cut Spelling
2. The Red
Badge of Courage, Steven Crane, HTML
Soundspel
Cut Spelling
(Civil War action)
3. The Wind
in the Willows, Kenneth Grahame, HTML
Soundspel
Cut Spelling
(Whimsical
adventures of Mole and Toad by an English river in 1908.)
4. The Time
Machine, H.G. Wells, HTMLSoundspel
Cut Spelling
(The original time travel novel)
5. The Secret
Garden, Francis Hodgson Burnett, text Soundspel
Cut Spelling
(A young girl looks for the secrets of a bleak mansion.)
6. Lord Jim,
Joseph Conrad, HTML Soundspel
Cut Spelling
(Adventure
in the South Seas)
8. The Red
Headed League, Connan Doyle, HTML Soundspel
Cut Spelling
(Sherlock
Holmes mystery)
9. The Circular
Staircase, Mary Roberts Rineheart,
HTML Soundspel
Cut Spelling
(Famous
mystery novel)
10. A Tale
of Two Cities, Charles Dickens, HTML Soundspel
Cut Spelling
(The classic
novel of the French RevolutSion)
11. Anne
of Green Gables, Lucy Maud Montgomery, text Soundspel
Cut Spelling
(A
strong minded young girl in rural Canada
12. The Invisible
Man, H.G. Wells, text Soundspel
Cut Spelling
(How would
you catch a criminal who had made himself invisible?)
|