draft
 ............ New Hotsuma
  • Old Hotsuma script 
  • How the syllabary works
  • Old Hotsuma external link
  • List of related pages

  •  

     
     
     

    The dual transcription of the Gettysberg address provides a Rosetta Stone for the study of New Hotsuma, a highly analytic phonemic writing system for English.   Hotsuma [ca. 800 AD] was an syllabary for Japanese.  New Hotsuma is a syllabary for English based on the same design principles.

    New Hotsuma [NH] may not make much sense without reference to Old Hotsuma, a tantric inspired script used in Japan starting in the 8th century.

    New Hotsuma [NH] is a geometric notation based on diamond, triangle, circle, dot, square, and a few line symbols such as  +  - | X  Y  and  turned Y.

    NH associates similar sounds with similar geometric forms.  The system allows more than one association or grouping.  NH is an excercise in the development of a highly analytic script that goes a step beyond the Cree syllabary.  Hotsuma is both an alphabet and a syllabary.  It is more complex than most syllabaries because English, which allows words in the form of CCVCC, is complex. 

    Some deifinitions of syllabary assume that the smallest unit is CV.  It is true that all syllabaries are equipped to handle words that follow a CV+CV pattern. 

    Hotsuma is an ancient Japanese syllabary that is  as outdated as Old English is for us.  Few new publications are printed in either old english or hotsuma notation.  There is a one-to-one correspondence between the hotsuma syllabary and  katakana.  This is illustrated below.

    Thus any thing written in Katakana can be easily transcribed into Hotsuma

    Some consonant combinations are hard to write in either syllabary.  This is not the case for New Hotsuma which is designed by Dr. David Kelley,  to handle the peculiarities of English speech.

    source: http://hawk.hama-med.ac.jp/dbk/hotsuma.html 


    Begin text here


    --------- 

    Hotsuma-Tutae

    An epic story of the creation of the universe was written in this notation in the 8th Century. It is said that this is the original document. Hotsuma-Tutae literally means matters of trueness and excellence. It is said that these characters were made by the priest Saicho (767-822: founder of the Tendai sect of Buddhism). 
     

    This is the same chart as above with a better color coding to show how sound signs are combined in syllabary fashion.
     

    There is some evidence based on research on the CREE syllabary that highly analytic notations such as this often learned as if the the connection between ki gi and shi were ignored.


     
     

    -------------- 

    Old Hotsuma script
    http://hawk.hama-med.ac.jp/dbk/hotsuma.html 
    old hotsuma  http://server1.seafolk.ne.jp/~enigma/hotuma/e-hotuma.htm

    New Hotsuma Script gettysberg address 
    http://www.egroups.com/files/saundspel/ 
    http://www.egroups.com/files/saundspel/Kelley+Files/new_hotsuma.gif 

    Another set of symbols for English 
    not sure about ou-o doesn't make sense  should be ow-ou 
    ae could be a. [att] 


     

    Older Chart

     

      Links
  • Old Hotsuma script

  • http://hawk.hama-med.ac.jp/dbk/hotsuma.html 
     
  • New Hotsuma Script gettysberg address 

  • http://www.egroups.com/files/saundspel/Kelley+Files/new_hotsuma.gif
     
  • Tendai Sect of Buddhism external link, use the back button on browser to return

  •  
  • Learn Japanese

  •  hotsuma  Lycos mail  Internet Radio 
  • phonetics http://lings.ln.man.ac.uk/Html/Haas/Art%20of%20Literacy/wd%26ra.htm#w17 
  • Proto-Canaanite & other early alphbetic systems
  • Origin of the alphabet 
  • The structure of hieroglyphics [henu]
  • IPA page
  • Saxon Spanglish i.t.a. and the asciibet

  •  

    COMMENTS

    Dear Steve and Valerie,

                  Yes, I think that teaching young people that English can be represented
                  graphically by an infinite number of writing systems (alphabetic,
                  semi-alphabetic, syllabic, logographic, etc.) is extremely important, as
                  far as spelling reform is concerned. Young people start out so flexible
                  in their viewpoints, and so we have to catch them before they become
                  hardened adults, who can't be taught very much without a whip and a
                  chair.

                  As a matter of fact, for the last four years I have created some
                  (moderately interesting) New Year's cards for my email friends and
                  relatives. And this year's card does indeed incorprate a few New
                  Hotsuma signs. The card is done and I am waiting to send it a little
                  later in the month. But if you (Steve or Valerie or others) are
                  interested, I can send you a copy. I always use a classic Asian art
                  motif as the focus, and add and/or change a few things to my own taste.

                  The file I sent with the Gettysburg address in New Hotsuma had some
                  errors, so I am attaching a pretty much error-free version. For some of
                  the newer members of SaundSpel, this system probably seems pretty silly,
                  but in the past, I have shown how English can be represented in Chinese,
                  Inca quipu knots, colors, and in the oldest form of Korean hangul. I
                  always have fun with linguistics, so I hope you will pardon me, if I
                  don't seem very serious about spelling reform. Of course I am, but in
                  my own way (as we all have differing appraoches to that issue). 

                  David 
     
     
     
    Letters and Associated Sounds
    Letter
    lst sound
    2nd sound
    3rd saund
    overlaps
    combinations
    R-comb.
    a
    /a:/  alms
    'a   /'/  up
    ae   ash at
    ae, 'a, ei, o
    ai, au, aw
    ar  are
    e
    e /e / elbow
    'e, 'er   /'/
    ei/ey
    'r  'a
    ei ew eu eau
    /er/ eric, air 
    i
    /I/ bit, ill
    /i:/ beat, eel
    /ai/  my mice
    schwa-schwi
    ia iu via few
    ir /ir/  ear
    o
    awe: all cost
    owe: oat bow
    haat  hot
    au, ou, aa
    ow, oa
    or  ow'r
    u
    guru pool
    put book
    up cut  / L /
    u, ^, 3:  w
     ou, iu, eu
    ur  tour
    w v /u/ hook /^/ up cup
    y unstressed / i:/ 'y = ai in fl'y
    b
    /b/ bib
    /v/
    /p/ 
    debt
    bl, bq, br
    b'rg  berg
    c
    /k/
    /s/ circl
    ch /tsh/ cello
    k, s, ch, sh
    ci, ce, ca, co
    c'rd curd
    d
    /d/
    /dh/
    t
    dh
    da de di du
    d'r'abl 
    f
    /f/
    /v/
    --
    v
    fif of ofn
    f'r 
    With three sounds per vowel letter, the notation is still manageable as long as there are no code overlaps.  We want the sound code or script to be streamlined and short.  The first sound does not refer to frequency but to a default pronunciation that could be understood by all.  ahp can still be understood as up.  ahx [ox] can almost be understood as ax.  caer however is not car. 


    New Section
    Definitions - draft  see alfa-gloss for something more polished

    syllabary
     

    alphabet

    phoneme

      in linguistics, the smallest unit of speech distinguishing one word (or
      word element) from another.  For example, sound [t] in "cat"
      separates that word from "cab," "cap," and "can." Variants which are
      understood as instances of a particular phoneme are called allophones.
      It is possible to understand people speaking different dialects because 
      we can ignore the phonetic distinctions and acoustical variations and 
      concentrate on the phonemic similarities. 

      Most languages get by with less than 30 phonemes.  English has 35
      uncombined phonemes but around 50 important sound categories evenly
      divided between vowels and consonants. In a perfect alphabet, there would be a
      one to one correspondnece between phonemes of speech and distinctive
      visible marks. A writing system based on such a code would
      be referred to as phonemic or alphabetic.
     

    Different views regarding the concept of phoneme

      The Prague school is best known for its work on phonology.
      Unlike the American phonologists, Trubetskoy and his followers
      did not take the phoneme to be the minimal unit of analysis.
      Instead, they defined phonemes as sets of distinctive features.
      For example, in English, /b/ differs from /p/ in the same way that
      /d/ differs from /t/ and /g/ from... 

    Features 

      Each of the phonemes that appears in the lexicon of a language
      may be classified in terms of a set of phonetic properties, or
      features. Phoneticians and linguists have been trying to develop a
      set of features that is sufficient to classify the phonemes in each
      of the languages of the world. A set of features of this kind would
      constitute the... 

    Distinctive features 

      As a result of studying the phonemic contrasts within a number of
      languages, Roman Jakobson, Gunnar Fant, and Morris Halle
      concluded in 1951 that segmental phonemes could be
      characterized in terms of 12 distinctive features. All of the features
      were binary, in the sense that a phoneme either had, or did not
      have, the phonetic attributes of the... 

    allophone 

      one of the phonetically distinct variants of a phoneme. The
      occurrence of one allophone rather than another is usually
      determined by its position in the word (initial, final, medial, etc.)
      or by its phonetic environment. Speakers of a language often have
      difficulty in hearing the phonetic differences between allophones
      of the same... 

    Phonetic transcription 

      There are many different kinds of phonetic transcription. In some
      circumstances a phonetic symbol can be simply an abbreviation
      for a phonetic description. The symbol [s] may then be regarded
      as exactly equivalent to the phrase "voiceless, alveolar, fricative."

    Writing 

      form of human communication by means of a set of visible marks
      that are related, by convention, to some particular structural level
      of language. 

    Historical (diachronic) linguistics

      All languages change in the course of time. Written records make
      it clear that 15th-century English is quite noticeably different from
      20th-century English, as is 15th-century French or German from
      modern French or German. 

    Types of writing systems 

      A writing system, technically referred to as a script or
      orthography, consists of a set of visible marks, forms, or
      structures called characters or graphs that are related to some
      structure in the linguistic system. Roughly speaking, if a character
      represents a meaningful unit, such as a morpheme or a word, the
      orthography is called a... 
     


    COMMENTS


           Wun uv the dumbest things about our letters is the name for jee.
     You heard me right. Call it Guu in honour of the mess that is English
     spelling then we'll be on our way to simple spellings like "Juj",
     "Jerman", and "Forjery".

             Highly literal spelling isn't the whole solution though.
     George Bernard Shaw's alphabet, I say, has too many letters, and they're
     too indistinct. I'll show you a better idea in a graphic medium.
     You'll be able to use them suuner once I explain the pattern behind my
     glyphs of a font.

                     My glyphs form a series, like Shavian,
                     graphically relating related sounds.

             Let me start with re-ordering the alphabet, like Benjamin Frankin
     did, and what led me to a radical font. Except for the vowels, the
     alphabet is in nearly a random order. That's about all that I'm keeping --
     the order of the vowels. The consonants are more easily organized -- in a
     table, not a line. We hav four labial (lip-made) consonants, four dentals,
     (Zee and eS excepted), four palatals, and four glottals (if you count two
     consonants that aren't English). Why not giv the Jermans a letter for the
     sound in "Buch"? And the skots a letter for "Loch". And while we're at it,
     if you make that sound into a voiced consonant, you get the vibrato-R or
     hissing Guu (A Spanish or Italian sound).

             Those are the clear-cut consonants -- the ones that carry no tone.
     (Okay, the voiced hissings carry tone, and reason is to make five
     exceptions to the rule -- to group them with konsonants that don't carry 
     tone). The Ar and eL carry tone, so defining them as consonants is almost
     arbirary. In a table, the clear consonants look like this:

                                G
                        T    P  l
                     L  e    a  l
                     i  e    l  o
                     p  t    a  t
                     s  h    t  t
                             e  i
                                s
                     _____________
     Voiced Hiss     V Dh Z Zh Gh
     Whisperd Hiss   F Th S Sh Kh
     Voice Stop      B  D    J  G
     Whisperd Stop   P  T   Ch  K

             Seven digraphs, for now. Chinese Pinyin (Romanized Chinese) was
     supposed to use /Zh/ to represent the sound in "Asia", "Prestige", and
     "Vojislav". Maybe you noticed that the French hiss or slur the Jaa in
     "Jour". Jaa and Zhee are both voiced konsonants. Turning your voice box 
     off will giv you two other consonants, one a stop, the other a hiss.

             The Dee is a voist Tee, and a difference is between the t-h in
     "the" and the one in "path", so naturally /Dh/ is a speling for the voiced
     variant of /Th/. Dh is to Th as D is to T.

             Sum people would look at a chart like the one above to understand
     what I mean. If you take your time and konsentrate, you'll learn that
     every wun of the tabled konsonants is vertikly juxtapoozed with its
     klosest relativ.

                     Whisper one, and you get the other.
                     Voice the other and you end where you started.

             For a total of thirty-seven letters, four more than the Russians
     use, that's 18 consonants, excluding three nasals, eL, aR, Yeh, Waw,
     eleven VOWELS (10 long, 10 short, plus sh'va), and one consonant that 
     seems to stand alone -- Hi.

    --BrewJay Litwyn. 

    ....alef-bird 3500 b.c. Egypt
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