An iconic sign resembles it
referent.
Iconic characters
make direct reference to objects, persons, or events. They re-present
by sharing criterial attributes, such as contour, surface structure, number
of parts, pattern, color, and order of connection. See diagram
See J. Knowlton,
Definition of Picture, AVCR, 196?
Pictograms can be simplified and abbreviated to the point
where some would not be able to see the "picture."
Seeing any
picture requires some learning. Anthropologists have recorded that tribes
unfamiliar with two dimensional representation were not able to initially
recognize the objects in a photograph. There is a translation or mapping
involved. One has to "get" or acquire the concept before one "sees" the
similarity in a partial representation. It has been argued that all pictures
represent post linguistically or post conceptually. Visual literacy is
something that one acquires not something that is there from the beginning.
Not all decorative
marks on a page are icons ("eye" cons) or representations. Ornaments such
as bullets and diamonds do not refer to something else, they simply mark
a list. Even dingbats and decorations resembling snowflakes and flowers
are not iconic unless they are used referentially.
Language has
been called a graveyard of dead metaphors. Letters and could be called
a graveyard of dead pictograms.
Most logograms,
such as @, %, &, #, began as abbreviations.
Picture writing,
one interpretation of pictography, has never quite worked. It is certainly
a misnomer for Hieroglyphics where pictorial semagrams were usually used
primarily as determinants to clarify the meaning of iconic phonograms.
Bliss Symbolics
is the most complete attempt to develop a writing system based mostly on
non-phonographic simplified pictures.
Keyboard symbolics
have been used to in mental institutions to enable patients with language
disabilities and speach disorders to communicate. Similar picture or symbol
keyboards have been used to teach animals to communicate. |
Ideographs or ideograms are
pictures that signify something associated with what they resemble.
Often what
is being being signified is a concept that is not picturable. The eye glyph,
e.g., might indicate something beautiful to look at or the concept, beauty.

In hieroglyphics
the eye could refer to (1) an eye, (2) a part of an eye, e.g., the pupil,
(3) something related to the eye, (4) sight, (5) the biliteral IR -- the
Eg. word associated with the picture, (6) beauty (an eyeful) or (7) a word
that sounded like the word for eye. IR also meant "to make" so, using the
rebus principle, the eye could be used to signify this word.
Some have speculated that the ANKH
symbol began as a representation of a sandal strap which had the same
first syllable as the word for LIFE. *Ankh also referred to a mirror and
mirrors were often designed in the shape of the ANKH symbol.
The connection between an ideogram
and its reference is not arbitrary but the connection can be obscure.
Ideograms are
often used as a generic term for any non-arbitrary sign. As defined here,
the reference of such a pictorial sign is not the thing pictured but an
associated idea -- often an abstract idea that cannot be pictured. Examples
include a dove for peace and an owl for wisdom.
Ideograms come the closest to the Jungian
idea of a symbol as a representation that has meaning and connotations
beyond the obvioius -- beyond their use as a simple sign.
A word or an image is symbolic
when it implies something more than its obvious and immediate meaning.
Symbols often aquire connotations in a cultural context making it difficult
for an outsider to fully grasp the full significance of something like
a Cretan double headed ax or an Egyptian amulet such as the wadjet (eye
of Horus).
An image, word, or name is symbolic
when it embodies a rich aura of connotations that extend beyond its conventional
and obvious meaning. Symbol- ism is often used to describe the undescribable.
This is why all religions employ imagery and symbolic language. According
to Jung and others, man uses symbolic terms to represent concepts that
are beyond his intellec tual capabilities to define or fully comprehend. |
Logograms or word signs are
not sound signs and do not resemble that for which they stand.
The are arbitrary signs.
The best definition
of a logograms is in terms of what it is not. It is not a
picture and not a sound sign.
Examples of
logograms include the punctuation signs, numbers and the symbols $, #,@,
&, %, ©.
Logographic
systems have non-pictorial symbols for whole words and/or concepts. Early
cuneiform had abstract symbols for sheep, goats, and grain. Chinese is
said to be logographic because it is difficult to associate particular
sounds with most of the 4,000+ symbols. Since the symbols refer to things
or concepts (rather than sounds), the written language can be understood
by people who do not share a common dialect much as the number 4 can be
understood by people who attach a different sound to the symbol.
The number
4 doesn't seem to represent anything and although it is sometimes substituted
for a sound sign as in "4 sale," such uses are language specific. In Spanish,
4 = quatro ... same concept, different sound. Logograms are not sound
signs because they can have as many phonetic interpretations as there are
languages.
The problem
with this definition is that some of our logograms such as our number signs
and mathematical signs only seem arbitrary. Just because we have lost the
pictorial connection doesn't mean that it was never there.
Numbers
are the most familiar logograms. The numbers 1, 2, & 3 are actually
pictograms but are generally not recognized as such. Their non-arbitrary
character comes from their origin as tally marks. This fact is somewhat
obscured by the fact that the numbers 2, and 3 have been rotated 90 degrees
clockwise. The shapes of the remaining numbers are presumed to be arbitrary.
The number
8, however, may have been derived from the practice of using the letters
as number signs. The eighth letter in the Greek alphabet is eta, which
is derived from the Semitic "H" or heth. The ancient H was closed and looked
like a squared 8. It in turn was derived from the Egyptian phonogram for
the same sound which looked like two 8's and represented a piece of twisted
flax used as a wick for an oil lamp. |
A written sign which refers
to a spoken sound.
The symbol
or conventional sign, commonly referred to as a letter, that stands for
a monosyllable or the initial sound in a monosyllable. Some letter names
are not acrophonic. The referenced sound is not the initial but the ending
sound. Examples: em, es. Some
English letter names do not contain the letter's sound. e.g., aitch, double-ewe,
wie.
A letterform
from a different character (e.g., upper case, different font, different
script) may represent the same sound. Thus "D, d, and – are tokens for
(or allographs of) the same sound category, /d/. If the sign design or
letter form could be easily changed or swapped for another letterform,
the link between the shape and sound would be called arbitrary. The shape
signifies by convention or agreement, not because there is any logical
connection between the shape and the sound.
When the letter
name indicates both the letter shape and the letter sound, as in Egyptian,
the argument that "letters are meaningless shapes arbitrarily linked
to meaningless sounds" becomes less tenable.

The owl, Mer in Egyptian, was associated
with the letter found on its head, the M. In most pictographic scripts,
the letters look something like their names and each letter name begins
with the signified sound. The letter M looks like the ears of a MeR (Coptic:
mouri) and sounds like the initial sound in its name /m/.
Types: Vowels
and Consonants
Speech sounds
are divided into vowels and consonants. When the breath channel is constricted
at one or more points the sound is called a consonant. When the channel
is not blocked or constricted enough to cause audible friction, the sound
is called a vowel. Consonants are further classified in terms of the friaction
points: labials: p/b, dentals: t/d .... Vowels are classified high-low
and front-back. |