Pictograms and Logograms
While it is important to make these distinctions, remember that pictograms can also be phonograms. One of the best examples is the pictographic monofon notation where the letter name, e.g. AX, describes both the letter's shape and the letter's sound.
Some writers define logograms as non-phonograms and do not distinguish logograms from ideograms since ideograms are also whole word or concept signs. 
Pictures, Words, and Letters
Pictures Words
Pictograms Ideograms Logograms Phonograms
Pictorial or 
Iconic Signs
Non Arbitrary
2 stage symbols
Whole Word Signs Sound Signs 
Phonograms
An iconic sign resembles it referent. 
Iconic characters make direct reference to objects, persons, or events. They re-present by sharing criterial attributes, such as contour, surface structure, number of parts, pattern, color, and order of connection. See diagram
See J. Knowlton, Definition of Picture, AVCR, 196?

Pictograms can be simplified and abbreviated to the point where some would not be able to see the "picture." 
Seeing any picture requires some learning. Anthropologists have recorded that tribes unfamiliar with two dimensional representation were not able to initially recognize the objects in a photograph. There is a translation or mapping involved. One has to "get" or acquire the concept before one "sees" the similarity in a partial representation. It has been argued that all pictures represent post linguistically or post conceptually. Visual literacy is something that one acquires not something that is there from the beginning.
Not all decorative marks on a page are icons ("eye" cons) or representations. Ornaments such as bullets and diamonds do not refer to something else, they simply mark a list. Even dingbats and decorations resembling snowflakes and flowers are not iconic unless they are used referentially. 
Language has been called a graveyard of dead metaphors. Letters and could be called a graveyard of dead pictograms.
Most logograms, such as @, %, &, #, began as abbreviations.
Picture writing, one interpretation of pictography, has never quite worked. It is certainly a misnomer for Hieroglyphics where pictorial semagrams were usually used primarily as determinants to clarify the meaning of iconic phonograms.
Bliss Symbolics is the most complete attempt to develop a writing system based mostly on non-phonographic simplified pictures. 
Keyboard symbolics have been used to in mental institutions to enable patients with language disabilities and speach disorders to communicate. Similar picture or symbol keyboards have been used to teach animals to communicate. 

Ideographs or ideograms are pictures that signify something associated with what they resemble. 
Often what is being being signified is a concept that is not picturable. The eye glyph, e.g., might indicate something beautiful to look at or the concept, beauty.

    In hieroglyphics the eye could refer to (1) an eye, (2) a part of an eye, e.g., the pupil, (3) something related to the eye, (4) sight, (5) the biliteral IR -- the Eg. word associated with the picture, (6) beauty (an eyeful) or (7) a word that sounded like the word for eye. IR also meant "to make" so, using the rebus principle, the eye could be used to signify this word.

    Some have speculated that the ANKH symbol began as a representation of a sandal strap which had the same first syllable as the word for LIFE. *Ankh also referred to a mirror and mirrors were often designed in the shape of the ANKH symbol. 
    The connection between an ideogram and its reference is not arbitrary but the connection can be obscure. 
Ideograms are often used as a generic term for any non-arbitrary sign. As defined here, the reference of such a pictorial sign is not the thing pictured but an associated idea -- often an abstract idea that cannot be pictured. Examples include a dove for peace and an owl for wisdom. 
    Ideograms come the closest to the Jungian idea of a symbol as a representation that has meaning and connotations beyond the obvioius -- beyond their use as a simple sign. 
    A word or an image is symbolic when it implies something more than its obvious and immediate meaning. Symbols often aquire connotations in a cultural context making it difficult for an outsider to fully grasp the full significance of something like a Cretan double headed ax or an Egyptian amulet such as the wadjet (eye of Horus). 
    An image, word, or name is symbolic when it embodies a rich aura of connotations that extend beyond its conventional and obvious meaning. Symbol- ism is often used to describe the undescribable. This is why all religions employ imagery and symbolic language. According to Jung and others, man uses symbolic terms to represent concepts that are beyond his intellec tual capabilities to define or fully comprehend. 

Logograms or word signs are not sound signs and do not resemble that for which they stand. The are arbitrary signs.
The best definition of a logograms is in terms of what it is not. It is not a picture and not a sound sign. 
Examples of logograms include the punctuation signs, numbers and the symbols $, #,@, &, %, ©.
Logographic systems have non-pictorial symbols for whole words and/or concepts. Early cuneiform had abstract symbols for sheep, goats, and grain. Chinese is said to be logographic because it is difficult to associate particular sounds with most of the 4,000+ symbols. Since the symbols refer to things or concepts (rather than sounds), the written language can be understood by people who do not share a common dialect much as the number 4 can be understood by people who attach a different sound to the symbol. 
The number 4 doesn't seem to represent anything and although it is sometimes substituted for a sound sign as in "4 sale," such uses are language specific. In Spanish, 4 = quatro ... same concept, different sound. Logograms are not sound signs because they can have as many phonetic interpretations as there are languages. 
The problem with this definition is that some of our logograms such as our number signs and mathematical signs only seem arbitrary. Just because we have lost the pictorial connection doesn't mean that it was never there. 
Numbers are the most familiar logograms. The numbers 1, 2, & 3 are actually pictograms but are generally not recognized as such. Their non-arbitrary character comes from their origin as tally marks. This fact is somewhat obscured by the fact that the numbers 2, and 3 have been rotated 90 degrees clockwise. The shapes of the remaining numbers are presumed to be arbitrary. 
The number 8, however, may have been derived from the practice of using the letters as number signs. The eighth letter in the Greek alphabet is eta, which is derived from the Semitic "H" or heth. The ancient H was closed and looked like a squared 8. It in turn was derived from the Egyptian phonogram for the same sound which looked like two 8's and represented a piece of twisted flax used as a wick for an oil lamp. 
A written sign which refers to a spoken sound. 
The symbol or conventional sign, commonly referred to as a letter, that stands for a monosyllable or the initial sound in a monosyllable. Some letter names are not acrophonic. The referenced sound is not the initial but the ending sound. Examples: em, es.Some English letter names do not contain the letter's sound. e.g., aitch, double-ewe, wie.
A letterform from a different character (e.g., upper case, different font, different script) may represent the same sound. Thus "D, d, and – are tokens for (or allographs of) the same sound category, /d/. If the sign design or letter form could be easily changed or swapped for another letterform, the link between the shape and sound would be called arbitrary. The shape signifies by convention or agreement, not because there is any logical connection between the shape and the sound.
When the letter name indicates both the letter shape and the letter sound, as in Egyptian, the argument that "letters are meaningless shapes arbitrarily linked to meaningless sounds" becomes less tenable. 


 


    The owl, Mer in Egyptian, was associated with the letter found on its head, the M. In most pictographic scripts, the letters look something like their names and each letter name begins with the signified sound. The letter M looks like the ears of a MeR (Coptic: mouri) and sounds like the initial sound in its name /m/.
Types: Vowels and Consonants
Speech sounds are divided into vowels and consonants. When the breath channel is constricted at one or more points the sound is called a consonant. When the channel is not blocked or constricted enough to cause audible friction, the sound is called a vowel. Consonants are further classified in terms of the friaction points: labials: p/b, dentals: t/d .... Vowels are classified high-low and front-back. 

Icons (Pictograms and Ideograms) are used today for international symbols but have not been consciously used in the design of scripts for nearly 3,000 years. By using a sun sign to identify the brightness control on a TV, the set can be sold in any country. Manufacturers avoid having to identify the control in any particular language. While the explanation can be found in 10 languages in the documentation, most people can figure out the connection between the icon and brightness without consulting the instructions. Pictographic scripts are a little different because the sun sign, which might represent /b/ for brightness in English might represent another sound in a different language. Icons used as pictographic semagrams (meaning markers or semantic signs) are not language specific. Icons used as pictographic phonograms (sound signs) are language specific.


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Related web pages
Alphabet

Hieroglyphics

History of English Spelling

Signification of Icons in a Computer GUI by Carlos Colon, Indiana U.

Metaphor

Constructivist Theories


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