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index alphabet projectssn-oct2k.htmalphabet-defPhoneme-Inventorysaunds-Englishtruespel.com
Is
stress phonemic?
m-w.com
lycos-rhume more rhymes
schwa
Phonemic
refers to sound. All spoken languages are 100% phonemic since meaning
is conveyed by variations in sound. Writing systems that manage to
visualize those critical aspects of speech [the 20 to 40 phonemes] are
also said to be 100% phonemic. Most alphabetic writing systems are
over 85% phonemic. English is an exception being only about 40% phonemic.
A difference in sound
is said to be phonemic when it changes the meaning or interpretation of
a word. There is no reason why features such a stress and pitch could
not be phonemic. The question is whether or not they are in English.
Stress would be phonemic
if changing just the stress pattern in a spelling changed its meaning.
In speech, a different stress can change a word from a verb to a noun.
re'bel vs 'reb-el.
There are many noun-verb
pairs which are spelled the same yet have slightly different meanings depending
on the stress pattern. addict, differ, convict, abstract, rebel,
object, extract, and present are cases in point.
For stress to be phonemic,
only one case is required. Clearly there are dozens of cases.
In many cases where
stress is phonemic, the English writing system uses a different spelling;
e.g., abutt [abut] and abbat [abbot].
| No difference in spelling |
Spelling differences
indicate stress differences |
rebel [rebbel, rebel] [reb&l r&bel]
object [obbject - object] ['object &b'ject]
convict [connvict - convict] ['konvict k&n'vict] |
abut - abbot [&'but - 'ab&t]
ender - endure ['end&r - en'dur]
order - hors'dourvre ['ord&r - or'duur] |
If stress is phonemic,
if it distinguishes the meaning of several word pairs, then it is an important
feature for a transcription system to have.
About 40% of the multisyllable
words in Inglish are not stressed on the first syllable. In many
cases, the stress is on the root syllable which makes the problem less
severe than it would initially appear. Unfortunately there are words where
stress is not on the root syllable: e.g., unnacustamd [unacustomed]
unnderstanndabl.
For native speakers and
those who know the language, stress marking is largely unnecessary. For
those trying to learn the American accent, it would be essential.
Currently, about the
only transcription systems to integrate stress marking into its basic design
is Truespel and Spanglish. Other systems have avoided it because it adds
a layer of complication and increases word length.
I rather like the shwapaastrafy for marking unstressed syllables.
Doesn't work that well as an onset. 'baut
li'l
1st syl stress 2nd syl stress
..abb't
..dezz'rt
..gall'n
..rebb'l |
..a'butt
..d'zert
..b'luun
..r'bel |
Spanglish substitutes a for ' except before or after an r
Archaic means that we
still have vestiges in our spellings of devices that were used to compensate
for a shortage of sound signs. sc was used primarily to indicate
sh before the h
was used for a marker.
ge was used before a j was added to the alphabet.
DEFINITIONS
A
phoneme
is a difference in sound that makes a difference in meaning or interpretation.
The phoneme is a
category not a physical event. It is a range of different sounds
that are treated as equivalent.
All spoken languages
are 100% phonemic, they signal changes in meaning
by changes in sound.
A writing system is
phonemic
to the extent that it consistently marks all the phonemes.
Phonemic
is a near synonym of alphabetic. An ideal alphabetic
system is one that assigns one
[and
only one] symbol [grapheme, mark, shape, or letter] to each phoneme in
the spoken language.
The
mark becomes a symbol or sound-sign or phonogram when two
or more people associate it with the same phoneme.
A symbol
is a conventional sign. A written word is a sign of a sign.
A sign is anything that directs behavior with respect to something that
is not currently a stimulus. A bell was a sign of food for Pavlov's dog.
Turning leaves are a sign of Fall and the approach of Winter.
An
alphabet
is a set or collection of sound signs -- An alphabet is a correspondence
table linking graphemes and phonemes. If there is no consistent set of
correspondences, there is no alphabet.
ALPHABET:
A type of writing system in which a set of symbols [letters] represents
the important sounds [phonemes] of a language.
DICTIONARY
OF LANGUAGE & LANGUAGES BY DAVID CRYSTAL
Phoneme
Alphabet
Syllabaries
Syllabifcation
Syllabics
Logographic
Systems
Spanglish
Alphabet 42-48 phonograms
Truespell
Alphabet 40 phonograms + stress marker
To make
a stronger case for Truespel,
a system that routinely marks non-first syllable stress, all we need is
one word where failure to mark stress changes the meaning of a word.
Regular stress is on the first
syllable in English. However, the stress in 40% of the
words in the language are not
stressed on the first syllable. Thus, the use of a
schwa or some other stress marking
system is extremely useful to the person trying
to read a page aloud.
contrastive pair test:
abut and abbot
is almost a candidate of the tab |
tub, pin
| pen variety
abut and abbot
are distinguished in print, but not systematically sound spelled.
We say that the tab|
tub contrast proves that a and
u
are distinct phonemes in English.
They are distinctive sound
features which distinguish at least one word pair.
| notation / stress
pattern> |
initial /1st syl. stress |
2nd syllable stress |
| Traditional Spelling |
abut abutt
abat
TO
SAXON-SPANGLISH |
abbot abbataebot
TO
SAXON-SPANGLISH |
| Truespel |
abbut |
abut |
| Traditional Spelling |
differ differ |
differ diffurr
dafer |
| Truespel |
difer |
diffur |
| Traditional Spelling |
a vowel a
vaul |
avow avau |
| Truespel |
u voul |
uvvou |
| Traditional Spelling |
mellon meln |
balloon b'alun |
| Truespel |
melun |
bulluen |
Truespel marks /^/ with [u]
and merges /^/ and /'/
Spanglish d'az not show
stress 'anles ther iz a syllabic or schwa involvd.
The goal of spanglish is
to hav a clir path of abreviation.
videoclip on concept mapping
- realaudio
Truespel
Truespel
claims that marking stress reduces mispronunciation of some words.
It would be a much stronger
case if it could be shown that mispronunciation
can lead to misinterpretation.
Here are some cases where not marking stress
could lead to mispronunciation
and mispronuciation could lead to misinterpretation..
Where stress makes a difference
| notation / stress
pattern> |
initial / 1st syl. stress |
2nd / syllable stress |
Traditional Spelling
Spanglish in italics |
abstract abstract
TO
SAXON-SPANGLISH |
abstract 'abstract
TO
SAXON-SPANGLISH |
| Truespel |
abstrakt
[noun] |
abstrrakt
[verb] |
| Traditional Spelling |
addict addict |
addict adict |
| Truespel |
adikt
[noun] |
uddikt
[verb] |
| Traditional Spelling |
convict connvict |
convict canvict |
| Truespel |
kaanvikt
[noun] |
kunvvikt
[verb] |
| Traditional Spelling |
present prezzant |
prisent prezennt |
| Truespel |
prezint
[noun] |
preezzent
[verb] |
Truespel marks /^/ with [u]
and merges /^/ and /'/
The two souncs are
distinguished with the stress
marking system, dbl consonants before stressed vowel
If there is no double consonant,
stres is on the first syllable.
Spanglish uses a and er and
syllabics to indicate stress - prizzm
Double vowels are used after
short vowels to distinguish them from free vowels.
In most of the examples,
Spanglish also shows a stress difference using the
somewhat counterintuitive
schwa-apostrophe to mark a letter pronounced as
schwa. 'a 'e 'i
'u are all pronounced the same as the IPA /'/
Spanglish cannot correctly
reprsent upper [TS uper]
becuase 'up'er transcribes
to the ambiguously stressed 'p'r
IPA gets around this by
using L
as in Lp'r
or RP Lp'
From Spanglish to IPA representation
c'anvict = c'nvict
= c'nvikt
= c'n '
vikt
Spanglish d'az not show stress
'anles ther iz a syllabic or schwa involvd.
The goal of spanglish is
to hav a clir path of abreviation -
streamlined Weblish is one
of the goals of Spanglish.
Weblish needs a consistent
shorthand orthography.
Spanglish can provide this.
It eliminates all of the redundant letters
and clarifies the vowel
sounds except for A which is aa, uh, ae,
but never /ei/ and in RAY.
This word is respelled as rey [ree in German?]
Pronunciation guidespelling
notation / stress
pattern  |
initial /1st syl. stress |
2nd syllable stress |
| Traditional Spelling |
except [but] |
except [take] iksept |
 |
ekksept 'eksept |
aksept @'ksept |
| Traditional Spelling |
abbot |
abut |
 |
abbot abbat |
abutt abvt |
| Traditional Spelling |
differ |
differ |
 |
differ disagree |
difurr postpone |
| Traditional Spelling |
a vowel |
avow |
 |
a voul vaul |
avou avau |
| Traditional Spelling |
object verb |
object noun |
 |
objeckt |
obbject |
| Traditional Spelling |
rebel verb |
rebel noun |
 |
rebell
rabell |
rebbal |
| Traditional Spelling |
refuse |
refuse |
 |
reffyuus |
refyuuz |
| Traditional Spelling |
minute |
minute |
 |
minnat minnit |
mainut |
|
addict adikt |
aadict addict |
|
addict |
adict |
wel, using one symbol for all unstressed weak vowels would definitli wud
solv wan problem:
NOT OOL PIIPL PRYNAUNS DHY seim ANSTREST VAUYLZ -
mai dikxynyri (DANIEL JONES) sez dhaet ik'sept mei oolsou bii prynaunst
EK'SEPT, wail yksept mei oolsou bii prynaunst aek'sept. bat ai dount thiqk
dhis iz samthiq dhaet wii xud prii'skraib - ail liiv dhaet tuu dhi indi'vidjuyl.
ik'sept vs. @k'sept
Schwa
compliment complement
If u respected Websters opinnion (wich u ar recomending) that shwa
and short 'u' ar 2 difrent things, u
cood uze 'a' for shwa (wich is
unstressd @ for moast linguists) and 'u' for short 'u'. Becoz if u considder
them difrent sounds, u'l see that
no letter is so rairly uzed for shwa az 'u'.
That's not tru. Reed my mesij tu Steve agin and u'l see a mes ov wrds
I stuk in it wich has shwa as u.
And i think 'abndns' is misleeding,
how can peepel kno that the ritten voul is unstressd and the stressd voul
isnt ritten?
I do'nt reely cair about stres (as u must no by now). It was bad inuf
I had tu cnsidr it tu ditrmn wethr the ee sound was speld ee or y at the
end of wrds.
Wy dont u say: e in the final
sillable, a at the beginning and at the end of a root werd, u in uther
cases?
Becoz u want tu cut the shwas befor
l-m-n-r.
Maybe: 'a' at the beginning or
at the end of a root werd (in enny case), /sh@n/ speld 'tion' in enny case,
dont rite the shwa befor l-m-n-r,
u in uther cases?
phoneme frequency
 |
[left] The 14 pure
vowels are identical to IPA. The chart shows more combinations than
found in Jones' list of 21 vowels. iu, aar, air, our are included
here [teal].
[right] Notice that each
vowel letter represents three sounds. Usually there are two free
vowels and a checked vowel. U has two checked vowels up and hook.
In a complete alphabet, there are almost as many vowels as there are consonants.
|
White=unstressed vowel
Yellow =vowel
Tan = diphthong,
blue=consonant
Green = semi vowel or syllabic
consonant |
 is
a phonemic transcription system based on the Saxon alphabet which makes
the writing of English as consistent as Spanish or German. The Saxon
alphabet is a true alphabet: It has a phonogram or graphic symbol
for each important speech sound and no code overlaps.[ If ow is
used for LOW it is not used for COW. ] The Saxon alphabet is not
perfect. Most but not all of the letters in a two letter symbol [digraph]
can be pronounced. ei combines eh + ee but ie
sould be ii. The stressed and unstressed "schwer' is urr and
er which means that one syllable words can be written two ways: herfurr.
Only two syllable words have a fully predictable spelling:
surrfer.
The alphabet uses er instead of the default schwa letter ar.
If sur were used instead of surr the pronunciation would
not be stressed and would tend to rhyme with sewer and tour.
The pronunciation would be close enough but not as accurate as it coulr
be. Saxon Spanglish is not a perfectly phonetic system because it uses
positional spelling. It does so because it is designed as a transitional
or initial teaching alphabet for those primarily interested learning the
traditional writing system.
More words that are spelled
the same in TO but have different meanings depending on stress.
incline inklien (noun)
incline inkllien (verb)
adept adept (noun)
adept uddept (adjective)
console kaansoel (noun)
console kunssoel (verb)
conscript kaanskript
(noun)
conscript kunskrript
(verb)
minute minit (noun)
minute miennuet (adjective)
invalid invulid (noun)
invalid invvalid (adjective)
rebel rebool (noun)
rebel ribbel (verb)
subject subjekt (noun)
subject subjjekt (verb)
object aabjekt (noun)
object ubjjekt (verb)
upset upset (noun)
upset upsset (verb)
produce praadues (noun)
produce pruddues (verb)
refuse refyues (noun)
refuse reefyyuez (verb)
TASK
List ten word pairs in English
where the failure to mark stress
leads to ambiguous meaning
or misinterpretation..
.
In English, we characteristically
center the unstressed vowel.
Thus the pronounciation
difference has two markers
abot
desert
galun |
ubbout
dussert
bulloon |
aebbot
desert
gall'n |
a'baut
d'sert
b'luun |
first syllable stress
is normal and unmarked
butun
buttaan [button - baton]
melun balloon
abot
abbout
aching
akkin
abbut
abbut [abbot-abut]
rabid
rabbit [same root stress, same initial vowel]
rabid
rabit rimmit
desert dussert
RITE reverses the pattern.
double vowels after a short vowel.
accomodate
abbot about
dessert desert
gallon baloon
We could have i before e except after c by changing the spelling of
the rule breakers.
sieze size
sie said
>From: Steve Bett <stbett@yahoo.com>
>To: Tom Zurinskas <truespel@hotmail.com>
>Subject: Re: truespel.com
is registered.
>Date: Tue, 3 Oct 2000 20:53:13
-0700 (PDT)
>
>Taam,
>
>A CD will hold a little
over 1/2 Meg.
>
>The free websites will
give you 1 Meg or more of free
>space.
>
>The first task is to get
it all in one place.
>
>With cuteFTP or another
FTP program, you will be able
>to upload what you have
so far.
>
>Tell me exactly how you
registered the name.
>
>Will it go to the existing
Truespel web page?
>Since you say you need
about 70 Mb of space, we need
>to find a hosting service
that will give us that much.
> Fortunecity is maxed
out at about 10 Mb.
>
>BTRSPL is fine for the
proposed CD, but for the Web,
>use the Perl converter.
We do need to update the
>dictionary since Truespel
dictionary now being used
>has only 7000 words.
I think we need a minimum of
>20,000 words.
>
>So far no one has commented
on my truespel page titled
>- Is stress phonemic?
>
>What I need are some contrast
words that are spelled
>the same in TES but differently
in Truespel.
>
>dessert and desert are
already spelled in Truespel
>fashion. abbot and
abut are not, but they are
>distinguished. TS
abut abbut
>
>Regards,
>
>Steve
>
>
>
>
>--- Tom Zurinskas <truespel@hotmail.com>
wrote:
> > Hi Steve,
> >
> > I tried namedemo.com
again and it worked this time.
> > I have registered
> > truespel.com.
Thanks so much for your advice.
> > Right now the products
I
> > have are.
> >
> > 1. Truespel manifesto
- Introduces and shows how it
> > works, 1 page.
> > 2. Truespel game
- cut out the foeneemz and make
> > words like scrabble.
> > 3. The 59k dikshinairee,
triple checked
> > 4. 95% complete
analysis of how the sounds of
> > English are spelt.
>In English, regular stress is on the first syllable
unless that syllable is .....
>such as a-, de- pre- con- de- di- e-
i- pre- pro- re- ....
>These are exceptions to the regular first syllable
stress. I don't think I would go so far as to call
[about] an example of regular stress.
U cood say that a sitty wair u can park evrywair has a simple regularity.
If
u hav a sitty wair u can park in sum plases wair thair is no prohibition,
park for 10 minnuts wair thair is a sine saying so and not park at
aul wair
thair is a sine saying so has rather complex regularity. But i wood
caul
'parking iregularity' if u had tu gess wair u can park or not, and
in sum
plases if u park u get a fine of $5, in anuther plase if u park u'r
executed.
German can hav the stress evrywair and if in english the ferst sillable
is
stressd in 60% of the cases, it sertainly wil be less than that in
german.
Stil i caul it 'quite regguler' becoz u usually no wair the stress
is, aulso
in a werd u havnt seen befor: germanic werds hav a root werd and stressd
preefixes and unstressd preefixes and unstressd suffixes. Latin werds
usually hav thair stress befor the last consonant.
Spanish has moastly stress on the penultimate sillable, but i gess it
is not
much mor than 60%. But sinse thay hav axents or rules for the uther
cases,
the predictability is hy.
Russian has an iregguler stress. U just cant no wair the stress is,
and
russians woodnt usually no wair the stress is in a werd thay dont no.
the
advantej in russian is that u dont hav tu chainj the pronunsiation
of the
hole werd if u get the stress rong, wich is the case of english.
herder
purterb
perfunctory
perhaps
perfecct
purrfect
purpose
purport perport
purturb perturrb
KUMPPAIRISIN: Fanetik aan taap
uv truespel
Welkam tu a nu wae uv rieting Ingglish — a raashanal
wae. FS - fonetic spelling
Welkum tue u nue wae uv rieteeng Eenglish - u rashinool
wae. TS - truespel
wellcam tu a nu wey av raiting English - a raeshanal
wey. SS - saxon spanglish
Witth tha taebool givan beelo (imeedeeyatle aafter
"What's New"
Withh thu taebool givin beelloe (immeedeeyitlee
after "Wuts Nue".
With the teibl givan belo [imiediatly affter "Watz
Nu"
and tha Intradukshan), eneewu*n kaan riet ene werd
in the Ingglish
and thu Intruddukshin), eneewun ken riet enee werd
in thu Eenglish
and the Intraducshan), ennywan cann rait enny werd
in the English
laanggwaj so thaat eneewun els hu aulso noez tha
sistam kaan
laengwij soe that eneewun els hue aulsoe noez thu
sistim ken
langwaj so thatt enywan els hu olso nowz the sistam
cann
reed it witthout ene kweschan about hou ene uv tha
werdz
reed it witthout enee kweschin ubbout hou enee uv
thu werdz
ried it withhaut eny queschan abaut hau eny av the
werdz
or pranounst. He wil eevan noe* hwut* aaksent yu
speek,
aar prunnounst. Hee wil eevin noe wut aksent
yue speek,
aar pranaunst. Hi wil ievan no wat akksent
yu spiek,
Amairikan aur British, bi hou yu riet werds* liek
"skejool"
Ummairikin or British, bie hou yue riet werdz liek
"skejool"
American or Brittish, bai hau yu rait werdz
laik "skejul"
FS aur "shejool", "kaan't" aur "kon't", "eether" aur "iether",
TS or "shejool", "kant or "kaant", "eether" or "iether,"
SS or "shedjul", "caent or caant", "iether or aither"
"tamaeto" aur "tamoto", etc. But I'm geting ahed
uv mieself.
"tummaetoe" or "tummaatoe", etc. But iem geteeng
uhhed uv miesself.
"tameito" or "tamaato", etc. Butt aim getting ahedd*
av maiself.
Let us reetern tu staanderd speling tu eksplaen this
projekt.
Let us reettern tue standerd speleeng tue ekspllaen
this praajekt
Let uss retern tu stannderd spelling tu explein
this projject.
(If, houwever, yu'd ferst liek tu se maur Fanetik
tu test
(If, houwwever, yued ferst liek tue see mor Funnetik
tue test
(If, hauever, yud ferst laik tu si mor Fanetik tu
test
yaur abilite tu reed Fanetik witthout beeying toeld
tha ruelz,
your ubbilitee tue reed Funnetik witthhout beeyeeng
toeld thu ruelz
yor ability tu ried Fanetik withaut bieing towld
the ruulz.
klik heer. Tu go direktle tu tha taebool thaat givz
tha ruelz,
klik heer. Tue goe durrektlee tue thu taebool
that givz thu ruelz
click hir. Tu go directly tu the teibal thatt
givz the ruulz,
klik heer.)
klik heer.)
click hir.
The Phoneme
What is the difference between a speech sound (phone)
and a phoneme?
by M.J. Hardman, Ph.D.
A speech sound (Phone) is a physical event. If you know anything
about physics you know that physical events don't recur -- each one is
unique to itself. We classify and group them, even phones, by certain criteria.
For phones we classify them by sound waves or by how we make them, but
when we say 'phone' we refer to a physical event.
[JK] Great distinction. For those who dig object-oriented programming,
an analogy is that phonemes are "classes" while phones and (in AKSES) phonemic
characters are "instances" in which they are "realized" for interpersonal
communication.
A phoneme is an abstract structural unit that is a building block
within a specific language. It is
realized in phones -- that is, phones cause us to perceive a phoneme
-- but what phones belong to what phoneme and in what context will they
cause the perception of a given phoneme is specific to individual languages.
[JK] Not only in perception, but also in generation. These abstract
(mental) phonemes are the precursors of sound stream words we utter.
The exact instances produced by an individual are colored by random fluctuations
in speech organs, culture and dialectic environment, and personal conditions
(like emotional state) of the speaker. The success with which a listener
perceives the intended words is affected by similar personal and environmental
conditions. With a phonemic writing system like AKSES, the information
interchange using recorded marks, the physical transaction is completely
analogous.
Each language takes in its own way a set of phones or a phonetic area
which then belong to a given phoneme. Sometimes certain phones belong to
two different phonemes, depending on
where they occur.
[JK] I'm not sure what this statement is intended to convey. It
is certainly
true that the range of sounds produced by various individuals may create
instances that appear like this. In such cases listeners normally
exhibit a
common cultural ability to "hear" the sounds that are expected for
the
phonemes rather than the actual physical instances that occur.
As humans, we learn to perceive the phonemes of our own language as
'sounds'.
[JK] I must say exactly the opposite. We hear sounds, but perceive
"mental
phonemes." This is the only way in which transfer of information
by speech
can be "explained." This last step in oral communication lets
the listener
"understand" the word/thought the speaker wanted to communicate.
They don't, of course,
>match the phonemes of other languages, which is why we
>have difficulty 'hearing' other languages, and think
>other people don't hear clearly or that they hear
>'impossible' things.
>That is because the structure of phonemes in that
>language is different from ours. The phones may or
>may not be the same, but the structure is different.
[JK] This is important to others in SaundSpel who want to develop an
international writing system, but not to me. My sole concern
and burning
purpose is to gain serious acceptance of a system that can be sold
to the
political and educational establishment in the US. The goal is
to start our
children and ultimately all citizens on the road to achieving their
intellectual potential. It must start with the ability to read
and write
before they leave 1st grade. I see the fixation on sounds to
the virtual
exclusion of basing our work on phonemes, especially representating
sounds
in languages that do not share (and have no reason to share) our cultural
language heritage as delaying or blocking progress. If you realize
that I
will be extremely lucky to have as many as15 years left to make my
contribution, perhaps you will be more understanding of my unseeming
impatience.
syllabics and semivowels
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What
Sounds should be associated with each letter?
What
sounds are associated...?
 |
[left] The 14 pure
vowels are identical to IPA. The chart shows more combinations than
found in Jones' list of 21 vowels. iu, aar, air, our are included
here [teal].
[right] Notice that each
vowel letter represents three sounds. Usually there are two free
vowels and a checked vowel. U has two checked vowels up and hook.
In a complete alphabet, there are almost as many vowels as there are consonants.
|
White=unstressed vowel
Yellow =vowel
Tan = diphthong,
blue=consonant
Green = semi vowel or syllabic
consonant |
Spanglish gives one answer: Three sounds should be associated with
each letter and the letter name is rarely one of them: A caps system
can be added to allow letter name diphthongs to be included. There
are some useful applicaitons of the anglo barred letters such as in the
word pronunciAshan. vacAshan
A is either schwa, aa, or ae - with a related dipthong [ai] [I]
E is either a schwa, ea, or ei [A]
O is aa, awe, or owe [O]
U is uh, ooh, or uu. [U = yu]
R U D wN I O 10 dolRz tU? See texting.
To restor the alfabet, each
letter must be asociated with no mor than twu sounds. [ c=sh]
English speakers can tolerate
that much ambiguity since for the last 300 years they hav
livd with each letter being
associated with a dozen different sounds.
In TS [traditional spelling]
single vowel letters ar asociated with about 8 distinct sounds
while singl consonants ar
associated with 2 or 3. In 75% of the cases, vowel letters ar associated
with four sounds and most
consonants with wan. It is the high probability of one [wan] of 4
or less sounds being the
associate that makes the
system workabl.
We are shooting for letters
being associated with two or less sounds in 99% of the cases.
What balloons the number
of associations are the digrafs and difthongs.
eaubeau can be deciphered
as owbo [*oboe] but it is a rather inefficient way to express the sound.
gow show him a thiq or twu.
A working alphbet will not
assign different sounds to letters used in digrafs and diphthongs.
If we make no
additional sound assignments,
h can continue to be used as a silent marker. The problem is that
it does not
mark the same feature in
CH, TH, SH, AH, UH, and ZH.
If e is used as schwa overlapping
a as schwa, then it cannot be also used as a marker in kite, lite, and
rite.
Here is a table that could
be helpful in determining what sounds to associate with each letter and
letter combination
The Spanglish values are
provisionally inserted. These can be changed. Gus has suggested
using the apostrophe
for both schwa and ah /a:/.
But he also uses it for /3:/ which adds ambiguity. 'rc = irk or arc?
The English writing system
associates a half dozen sounds with each vowel letter and each sound is
associated
with over a dozen letter
or letter combination. In the case of the vowel sound, 75% of the
words are spelled
one of four ways.
The goal of this exercise is to reduce the number of alternative spellings
to two.
Letters and Associated
Sounds
|
Letter
|
lst
sound
|
2nd
sound
|
3rd
saund
|
4th
sound |
overlaps
|
combination
|
R-com
|
| a |
/a:/ alms |
'a /'/ up |
ae ash at |
ei ace |
ae, 'a, ei, o |
ai, au, aw |
ar are |
| ae |
/ae/ at |
|
|
|
|
aew /au/ |
aer arrow |
| aa |
aa /a:/ |
|
|
|
|
aay |
aar are |
| 'a |
/'/ ago sofa |
|
|
|
'e, 'u |
'ew /ou/ |
'ar='er |
| au |
/au/ house |
aeu *out |
aew *ouch |
|
aeu, 'au, ou |
AUTR OTHR |
aur power |
aw/au |
/o:/ awe |
au kraut |
a water |
o cost |
all, out |
|
|
| e |
e /e/ |
ey/ei |
'e, 'er |
|
'r 'a |
|
/er/ eric, air |
| 'e |
|
|
|
|
|
' and 3: |
'er her other |
| ei |
/ei/ they |
|
|
|
|
|
eir air |
| i |
/I/ bit, ill |
/i:/ beat, eel |
/ai/ my mice |
|
|
ia iu via few |
ir /ir/ ear |
| o |
awe |
owe |
haat |
u to who |
au, ou, aa |
ow, oa |
or |
| u |
guru pool |
put book |
up cut |
urban |
u, ^, 3: w |
ou |
ur tour |
| b |
/b/ bib |
v, p |
|
|
|
bl, bq, br |
brg berg |
| c |
/k/ |
/s/ circl |
ch /tsh/ |
|
k, s, ch, sh |
ci, ce, ca, co |
crd curd crud |
Flat A, Broad A, unstressed A,
Letters and Associated
Sounds
|
Letter
|
lst
sound
short
|
2nd
sound
long
|
3rd
sound
unstressed
|
4th
sound |
overlaps
|
combinations
|
R-comb.
|
|
a
|
ae ash at
|
/a:/ alms
|
a /'/
ago
|
ace /eis/
|
ae, 'a, ei, o
|
ai, au, aw
|
ar are
|
|
e
|
e /e
/
|
ei/ey
|
'e, 'er
/'/
|
|
'r 'a
|
ei ew eu eau
|
/er/ eric,
air
|
|
i
|
/I/ bit, ill
|
/i:/ beat,
eel
|
/ai/
my mice
|
|
schwa-schwi
|
ia iu via few
|
ir /ir/ ear
|
|
o
|
awe / ah
cost hot
|
awe
tawt taat
|
color
/culler/
|
owe /eu/
|
au, ou, aa
|
ow, oa
|
or ow'r
|
|
u
|
guru pool
|
put book
|
up
cut / L
/
|
|
u, ^, 3: w
|
ou, iu, eu
|
ur tour
|
|
b
|
/b/ bib
|
/v/
|
/p/
|
|
debt
|
bl, bq, br
|
b'rg berg
|
|
c
|
/k/
|
/s/ circl
|
ch /tsh/
cello
|
|
k, s, ch, sh
|
ci, ce, ca, co
|
c'rd curd
|
|
d
|
/d/
|
/dh/
|
t
|
|
dh
|
da de di du
|
d'r'abl
|
|
f
|
/f/
|
/v/
|
--
|
|
v
|
fif of ofn
|
f'r
|
Here is a candidate for possible
addition to a short course on applied linguistics.
I would like to have it critiqued.
Truespel is a proposed
writing system for English that marks stress
by doubling the consonant
before a stressed vowel when stress does not fall on the first syllable.
I am not looking for a critique
of truespel.
If you want to critique a
notation, go to one of the notation discussion groups, e.g., saundspel@egroups.com.
I am looking for topics to
be included in a short course on grafo-phonemics. Stress is
a possible topic.
Can anyone list ten word
pairs where the failure to mark stress leads to misinterpretation?
Regards, Steve
"kiq o fonimz" TZ
Suggested resource
<http://www.sunflower.com/~dewatson/alford.htm>
The task is to determine
which two sounds go with each
letter.
u = u. and u
a = a. and a and 'a
e = e
ey
i = i. and i:
o= o. and o [awe]
o. is a short awe in RP,
and an ah in GA.
u = u. [hook], 'up or 'p,
and u
This leaves 'r, one of the
obscure vowels.
hi hwkt 'p d' hup.
hi hu.kt vp dh' hup.
I think one of the things
that messes up any attempt
to come up with a notation
that matches TO is the fact
that the o took over about
75% of the duties of the
old Latin A. The old
a was left with w beginnings and
R endings.
If we could write or for
ar then we could simplify the
notations that try to go
with the shifted values.
Unshifted sounds are like
my Longman's dictionary.
pot is spelled pat in the
pronunciation guide.
The turned c is used to spell
cost.
> The Spanglish (below) looks
marvelous. Two values
> for some letters seems
to work out fine.
>
> David
> ATTACHMENT part 2.1 application/applefile
> ATTACHMENT part 2.2 image/gif
name=spanglish.gif
> Gus rote:
>
> >True. There are three
times as many in Lincoln's Address. But of the
> remaining multi-syllable
words, only 22% had stress not on the first
syllable.
> Why
> should we be concerned
about stress for that small amount when,
>
> 22% of say a dictionry
like Taams is 10.000 werds. Thats not very
littel.
Yea, but moast ov them ar
wrds moast peepl nevr use.
> >in your discussion with
Ed, he pointed out that English speakers
already know
> where
> the stress lies in a word,
and that 'foreners' could be understood if
they
> used none?
>
> yes, but we'd like tu
say the werds the rite way, and thats wy we
like tu
> kno wair the stress is.
we dont like that peepel think 'god, wat a
bad
> english!'.
Non-naitivs wil olways hav
an axent. (Just be shur u hav a nise wn.) If
peepl
say that, stay away from
them. Du thay think that way in the UK wair
thair's so
meny axents? (It's way hardr
for me tu undrstand a Scot, than an
American
Southerner. I like the Irish
broge. But I do'nt go eround teling them
thair
English stinks.)
> but of corse, it is rellativly
cleer for nativ speekers, exept wen
thay ar
> stil lerning the menny
werds (from 2 tu say 15 yeers old), wair thay
hav tu
> heer them. i gess that
eeven adults make quite a few mistakes
acording tu
> the dictionries, but wen
the werd isnt freequent, u mite nevver hav
herd it.
> so if 2 peepel nevver
herd a rellativly rair werd (menny werds ar
offen
> ritten and seldom spoken),
boath wil hav an idea (thay wil PREZUME it
is
> like that) how tu pronounse
it. If wun of them ses the werd and it
dusnt
> mach the way the uther
person gesses the werd is pronounsed, the
uther
> person wont say ennything
becoz s/he mite think s/he the rong wun.
and eeven
> if thay ar shure thay'r
rite, thay mite not tel the uther person,
sinse
> anglos ar very polite
peepel and rairly corect uther peepel.
Yea, thay ar. So, do'nt wury
about how u tok.
> >I really feel its location
should be ignored in our attempts to
better
> English spelling, as its
indication does nothing for English
speakers, but
> instead lengthens words
unnecessarily for them (thereby hindering
their
> efficiency in typing and
reading). And these are the ones a new
system would
> have to be 'sold' to (now).
>
> >What 'good' reason(s)
do you have for showing stress?
>
> I dont kno for spanglish,
but i kno for RITE (at leest MY reezons):
in RITE
> we sho the shortness of
a voul and the stress (in thoze cases). if we
hav
> nuthing shoing that but
a dygraf for the long voul (az u du in
inglish2),
> the dygraf dusnt sho the
stress (aultho it makes it mor likely).
That's not a 'good' reesn
(in my humbl apinyn).
By the way - wy du u use
'kno' for no (know)? Has that bin voted on?
Gus
Raptures of Root
Recognition
David
cyuriositiez
in letter form history
David
Alphabets,
Spelling, and Pronunciation
David In a fully alphabetical
writing system, spelling is a guide to pronunciation.
Spelling pronunciation can
be a strategy used with any partially alphabetical writing system to
reveal where the absurdities
are located. GHOTI is not a likely spelling of FISH but there are
equally absurd spellings that are real orthographic options.
GH for F appears only in
the terminal position. TI is always followed by ON. PHOSH would
be a legitimate spelling.
The O in women is a bit
of an oddity woumen woujld be wuman.
good practice - spelling
pronunciation - then spell as it should be spelled - the respel historically.
wim'n wimman
- cant even get ther.
ther - add silent e, there
geiv - ga:v - gave
Should you learn SAXON spelling?
if you never read middle or old english.
Why not, it is simler than
distorted non-alphabetic spelling.
http://www.FreeDrive.comnetscapesearch
engine Multimeta: (http://www.multimeta.com/)sounds
VOWEL SHIFT
The great vowel
distortion [and the consequences of alphabetic mispronunciation]
From the standpoint
of the Old English or Saxon alphabet, people started misprouncing groups
of words in the 14th century. To retain the alphabet, when the pronunciation
changed, the spelling should have changed. Since the alphabet This
is the way that most langauge academies in other countries handled it.
It never happened in England. 300 years afterInglish
the pronunciation shift or change, English spelling was standardized at
the word level. The accepted spellings were based on pre 1400 pronunciations,
not on current pronunciation. English writing thus becamed divorced
from the spoken word and the alphabet was trashed.
Formalizing intuitive
spelling
Invented
spellings are what children who know a little phonics do when they try
to represent a word they haven't seen before. There are certain spellings,
however, that everyone agrees refers to a particular sound. ee, ih,
ah, owe, awe, ah ah-eh eh ey [Oay] ee ai
awe owe you uh. ey and ai are not always recognized as intuitive
since ay in pay does not resemble ey in eye.
Menuspel
There
is no unambiguous spelling for the vowel sounds in rye, ray, her, hook.
Menuspel uses ah eh ih awe oo yoo.
Vowe Frequency
Phoneme
Frequency
Phoneme
Symbols
Weblish [super
short] Inglish
Gus has one proposal
but it is not the same as a study of Weblish has adopted.
Texting
Nik has a page on
this. |